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方圓之間，秩序與自由

Order and Freedom Between Circles.

用恒定與變化（Constance and Change）來揭示發展的本質，用大歷史襯托具體建筑現象，又用具體現象的深刻分析來呼應時代；種種直筆與曲筆的結合，共時與歷時分析的結合使人在雄渾的歷史感中體會到建筑真意。

——希格弗萊德·吉迪恩《空間·時間·建筑》

By using the contrast between constancy and change to reveal the essence of architectural development. By using big history to contextualize specific architectural phenomena. By using a specific and profound analysis of these phenomena to echo the changes of the times. The combination of hand-drawn lines and curved lines, synchronous and diachronic analyses, allows the reader to experience the true meaning of architecture through a grand historical context.

——Sigfried Giedion, Space, Time and Architecture.

“天道日圓，地道曰方”

——《淮南子·天文訓》

The way of heaven is round and the way of earth is square.

方圓之間，既是天地，亦是萬物。

Between squareness and roundness, there is both heaven and earth and all things.

RARA全屋定制——展館的"天圓地方"觀賦予了建筑以一種意境美和形式美。雙圓柱嵌長方體中, 打破了傳統的建筑思維，建筑的布局、構件和樣式不再單純采用理性幾何化的方形或圓形，方與圓的交匯產生了精準度量的設計質感，在美的形式中，完成了建筑空間的架構。

RARA, a whole-house custom brand, shows the concept of“squareness and roundness”in the exhibition hall which gives the architecture both artistic beauty and formal beauty. The intersection of the cuboid and the double circular column produces a design texture that has been measured precisely, which completes the structure in the form of beauty. The layout, structure and style no longer simply adopt the rational geometric squares and circles which breaks the traditional way of thinking in terms of architecture.

既有變化,又有秩序,這就是一切藝術品,

特別是造型藝術形式必須具備的原則。

——彭一剛《建筑空間組合論》

There is both change and order, which is the principle that all artworks, especially plastic art forms, must have.

當我們在談論空間動線，我們是在討論空間秩序的可能性。空間秩序為人的活動提供的具體活動的載體，讓空間“活”起來，促進更多交互的發生。

In terms of circulation，we are actually talking about the possibility of the spatial order. The order acts as a vehicle of specific activities for human beings, allowing space to "come alive" and facilitating more interactions.

比起大開大合的一覽無余，RARA方與圓的排列讓格局既有變化，又有秩序，進退皆可，聯通的結構在讓人在時間和空間的維度上留下強烈的“滯后”感，充分探索空間的自主性帶來沉浸式體驗。

Compared with the sweeping view of the large opening and closing, the way square and circle are arranged in the RARA hall makes the layout both changeable and orderly, which enables viewers to come in and out flexibly.

當RARA的呈現也展示辦公設計未來潛在的風格，既是展館，也是辦公場所的場域，兩者之間的邊界逐漸消融模糊，不僅融合了功能與審美的統一，同時也讓移動與展示空間兼容。

無線化、智能化以及人性化的移動辦公生態化如雨后春筍，豐富了后疫情時代辦公空間發展的可能性。

RARA also demonstrates the potential future style of office design, both as an exhibition hall and an office. With the boundary between the two gradually dissolving and blurring, it not only integrates the unity of function and aesthetics, but also creates a compatible space that integrates movement and display.

Wireless, intelligent and humanized mobile office are springing up, enriching the possibilities of office development in the post-pandemic era.

日本著名建筑師蘆原義信說過，“建筑本身自己完成式的、雕塑式的、紀念碑式的。”

The architecture itself is completed, sculptural and monumental.

——Yoshinobu Ashihara

外飾面由竹片的橫向排列組合而成，流暢的線條和韻律使得整個展館的氣勢渾然天成。極簡的外觀引發強烈的窺探欲，透過間隙，破土而出的樹木尤為顯眼，占據絕對C位，整個建筑的生機也由此迸發。

入內，多元的品質化生活場景徐徐展開，光影流轉，移步換景，衣柜、博古柜、隱形門，墻板展示等與空間進行有效融合，細節質感考究。通天書柜尤為出彩，即為隔斷，在藏與露之間營造多層次的透視關系，又在視覺上與弧線寰宇框架成交錯狀態，提供豐富的線條變化。

The exterior is composed of bamboo pieces that are horizontally arranged, and the smooth lines and rhythms make the entire exhibition hall naturally magnificent. The minimalist appearance arouses strong curiosity for the viewers, and the trees that break from seed are particularly prominent, occupying the absolute focal point and infusing vitality into the entire building.

每一個經久不衰的品牌從概念誕生到設計草圖出現，再到最終的作品呈現，都與集體智慧密不可分。RARA品牌在高級定制的維度定位中，整合頂級資源，推動行業原創創意水準達到極致。產品承載著精湛的工藝和厚重的品牌積淀，在空間美學與之碰撞之中產生火花，交融之中趨向完美的呈現，傳承優雅到深諳奢華。

Every enduring brand, from its conceptual birth to the appearance of design sketches and to the final presentation of works, is inseparable from collective wisdom. RARA, as a high-end brand, integrates top-level resources and drives the original creativity to the utmost. The product, sparking with spatial aesthetics, demonstrates exquisite craftsmanship and long and profound history of RARA in the whole-house custom. The two together converge towards a perfect presentation.

突破物理空間的限制，在有限中創造無限的可能，CUN DESIGN在人們所熟知的環境中，做最為革命性質的嘗試，打造前所未有的全屋定制產品空間，將櫥柜、衣柜、博古柜、隱形門，墻板展示等產品最合適的位置呈現出來。

美的建筑空間是一場充滿浪漫和想象力的邂逅，在時間的縱軸上，它以永恒的美在橫軸上留下痕跡。

Breaking the limitations of physical space and creating infinite possibilities within the limitations, CUN DESIGN takes the most revolutionary attempt in environments that we are all familiar with, creating an unprecedented space that is full of customized products, presenting cabinets, wardrobes, antique cabinets, invisible doors, wall displays, and other products in the most suitable positions.

因此，RARA 由外而內，再由內而外完成了功能與藝術價值的深度糅合，實用性與觀賞性高度統一，無論身處在室外或室內，都能被它一體成型的設計所折服，方與圓的交集由此開始，卻從未停止。

Therefore, RARA has achieved a deep integration of functionality and artistic value from the outside in and inside out. It also achieved a high degree of unity between practicality and aesthetics. Whether viewing from indoors or outdoors, one can be impressed by its integrated design, where the intersection of squareness and roundness begins without ending.