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自然光賦予空間特征，也賦予建筑物生命，因?yàn)榻ㄖ锏纳怯晒獾恼彰鳟a(chǎn)生的。——路易斯·伊撒多·康

Natural light gives character to spaces and life to buildings, because the life of a building is generated by the illumination of light. --Louis Isadore Kahn

01 逐光生活與時(shí)代的交錯(cuò)

Life And Times Are Intertwined

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破繭成蝶是一種力量，一種以柔克剛，以靜制動(dòng)，以簡(jiǎn)化繁的過程，是一種能量的流動(dòng)。

Breaking the cocoon to become a butterfly is a process of static to move, complicate to simple, which is akind of power, a kind of strength, a kind of energy flow.

萬物皆有裂痕那是光造進(jìn)來的地方。質(zhì)量、體積、表面、比例、交界、幾何、重復(fù)、光和儀式。

Everything has cracks That's where the light comes in. Scale boundary, geometry, order, repetition, light and ritual.

迪笙設(shè)計(jì)理解的私宅空間是體驗(yàn)生活智慧的場(chǎng)域，受英國極簡(jiǎn)主義大師John Pawson的影響，在他看來空間、光線、比例加上材料就是一個(gè)設(shè)計(jì)的全部，以簡(jiǎn)單、純粹為追求，幾何學(xué)的交疊，光影的變動(dòng)，形成多個(gè)精彩有趣的空間。

Design is a field to experience the wisdom of life. Influenced by the British minimalist master John Pawson, in his view, space, light, proportion and materials are the whole of a design. The pursuit of simplicity and purity, the overlap of geometry, and the change of light and shadow form many wonderful and interesting spaces.

在強(qiáng)調(diào)從樸素的日常里，感受生命的流動(dòng)與真實(shí)存在，大道至簡(jiǎn)的背后是無一物中無盡藏的思考，空間是載體，生活是內(nèi)容，包容且開放，無論是空間的承載亦或是精神的回歸，都是一種溫和的存在。

the flow and real existence of life from a simple daily life, behind “The greatest truths are the simplest”is the endless thinking hidden in nothing, space is the carrier, life is the content, inclusive and open, whether it is the bearing of space or the return of spirit, it is a kind of gentle existence.

空間最大的亮點(diǎn)是鏈接下沉客廳與中空客廳的超尺度樓梯，幾何語言寫盡淋漓，塑其沉靜質(zhì)感，模糊了空間邊界，極簡(jiǎn)之間以極強(qiáng)的尺度感形成對(duì)比，構(gòu)建出多元的體驗(yàn)場(chǎng)景。

The biggest highlight of the space is the super-scale staircase connecting the upper and lower floors of the space. It is written vividly in geometric language to create its quiet texture, blur the space boundary, and form a contrast betweenminimalism, creating a diverse experience scene.

秩序感與橫向空間形成反差的尺度，簡(jiǎn)約的直線條與溫和的暖色調(diào)在視覺上重構(gòu)了理性與感性的平衡，感官上簡(jiǎn)約整潔，品味和思想上盡顯優(yōu)雅，構(gòu)建一種、沉靜、深邃而綿長的空間氛圍。

The steps form a contrast between the sense of order and the horizontal space. The simple straight lines and mild warm colors reconstruct the balance between rationality and sensibility visually. The senses are simple and clean, and the tastes and thoughts are elegant, creating a quiet, deep and long space atmosphere.

簡(jiǎn)約到極致的結(jié)果，就只剩下質(zhì)感，

所以材料的選擇就變得尤為重要。

——John Pawson

空間的藝術(shù)在于氛圍的營造，是進(jìn)門那刻開啟的敘事之旅，在隱私和寧靜之間，隔出了若隱若現(xiàn)的城市景色。

The art of space lies in the creation of atmosphere, which is the narrative journey opened at the moment of entering the door. Between privacy and tranquility, there is a faint urban scenery.

墻面線條和體量框住了陽光傾瀉于空間，穿過墻壁和地板過濾光和影的親密，從重復(fù)的生活中尋找新的秩序，去創(chuàng)建新的規(guī)律，如同丹麥畫家Vilhelm Hammershoi ，在他反復(fù)的對(duì)家進(jìn)行不重復(fù)的描述中，感受家?guī)Ыo我們不同的定義，更是探索褪去形式主義后的真相。

The lines and volume of the wall frame the sunlight pouring into the space, passing through the walls and floors to filter the light and shadow, to find new order from the repeated life, and to create new laws. Just like the Danish painter Vilhelm Hammershoi, in his repeated description of home, the perception of home brings us different definitions, but also explores the truth after the formalism has faded.

02 重構(gòu)空間與人的共生

Reconstruction of space and human symbiosis

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空間與人、人在空間發(fā)生的需求，已逐漸上升為人們的社交需求，乃至精神文化需求，開啟空間與人的共生。

The space, people,and the needs in space, they have gradually risen to people's social needs, and even spiritual and cultural needs, opening the symbiosis of space and people.

來自意大利的minotti家具盡顯優(yōu)雅，迎合了從極簡(jiǎn)到奢華生活方式哲學(xué)觀，而真正的高品質(zhì)住宅，不僅與生活方式息息相關(guān)，亦與生活品味有關(guān)，與氣度相通，千人千面，家亦如此。

Minotti furniture from Italy is full of elegance, catering to the philosophy of lifestyle from minimalism to luxury, and the true quality of the house is not only closely related to lifestyle, but also to life taste, and temperament.

新立體主義的解構(gòu)理不止于形式，更需要從空間布局出發(fā)，推敲人與居所的關(guān)系，在在這個(gè)承載了歷史與當(dāng)下的空間中，預(yù)演未來的無限可能，以設(shè)計(jì)美學(xué)重構(gòu)，實(shí)現(xiàn)居者為探索過的需求邊界。

The deconstruction theory of new cubismis not only about forms, but also about the relationship between people and residence from the perspective of spatial layout. In this space that carries history and present, it is necessary to preview the infinite possibilities of the future, reconstruct the design aesthetics, and realize the demand-boundary explored by residents.

這是一個(gè)信息極為豐富且多元的時(shí)代，我們每天都在對(duì)數(shù)億萬計(jì)的信息進(jìn)行吸收與分解，不可否認(rèn)的，我們住進(jìn)了一個(gè)時(shí)代的繭房，然而突破口并非向外探，而是向內(nèi)觀。

This is an era of extremely rich and diverse information. We are absorbing and decomposing hundreds of millions of information every day. It is undeniable that we live in the cocoon of an era. However, the breakthrough is not to look outside, but to look inside.

與居者內(nèi)在共情，于紛繁里澄明本心，追尋自在，回歸精神，探索本質(zhì)。

Have inner sympathy with the residents, clarify the original intention in the complex, pursue freedom, return to the spirit, and explore the essence.

03 踏影空間與情緒的探索

The exploration of stepping space and emotion

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讓光成為最好的點(diǎn)綴，邀請(qǐng)居者放慢腳步，追逐光的腳步，一同開啟內(nèi)觀的旅程，突破時(shí)代的迷霧，放下理性，用感受體驗(yàn)生活的本質(zhì)，自在游走。

Let light become the best ornament, invite the residents to slow down, chase the light, and start the journey of insight together, break through the fog of the times, put down the reason, experience the essence of life with feelings, and travel freely.

以質(zhì)感、光線、肌理來表達(dá)不同的空間情緒，不同的光渲染了不同時(shí)刻的記憶，光成為了生活的調(diào)和劑，讓平淡分層出了不同滋味，家是陪伴我們每個(gè)人成長的地方，它真實(shí)而有溫度，它是獨(dú)一無二且無可替代的。

Different spatial emotions are expressed by texture, light and vein. Different lights render memories of different moments. Light has become a mediator of life, making insipidity layered with different tastes. Home is the place where everyone grows up. It is real and has temperature. It is unique and irreplaceable.

空間的意義所在，是幫助我們鏈接內(nèi)在自我。

The meaning of space is to help us link our inner self.

細(xì)膩的空間情緒，是向內(nèi)的自我悅納，溫潤內(nèi)斂而不失張力，細(xì)節(jié)盡顯，營造醉心之美。豐韻簡(jiǎn)于形，純粹的質(zhì)樸中覓得真正的自由精神。

The exquisite space emotion is inward self acceptance, gentle and restrained without losing tension, and details are fully displayed to create the intoxicating beauty. The true spirit of freedom is found in the pure simplicity.

框景自然的觸角，為生活注入趣味與活力，幽靜漸生，恰當(dāng)?shù)某叨取Ⅲw量和線條表達(dá)出時(shí)間與空間的存在感。

The natural tentacles of the frame scene inject interest and vitality into life, and quiet gradually emerges. The appropriate scale, volume and lines express the sense of existence of time and space.

秩序之間，尋覓明確而優(yōu)雅的品味，以光為引，以意為境，在高純度的空間，過渡情緒。

In sequence, seek clear and elegant taste, with light as the guide and meaning as the boundary, and transition emotions in a high-purity space.

月籠輕紗，氛圍漸入佳境，徐徐清風(fēng)酌清歡，城市之上，感受低調(diào)且具質(zhì)感的感官體驗(yàn)，上演肉與靈的狂歡。

With the moon lightgauze, the atmosphere is getting better and better, and the gentle breeze is drinking the pure joy. Above the city, you can feel the low-key and textured sensory experience, and perform the carnival of flesh and spirit.

喧囂下藏匿簡(jiǎn)素里的淡雅，清幽獨(dú)處、品香茗茶，閑適的日常中盡是生活的詩意與儀式感。

The simple elegance hidden in the hustle and bustle, the quiet solitude, the tea tasting, and the leisurely daily life are full of the poetic and ritual sense of life.

光影虛實(shí)間，平添幾分意境之美，讓人與空間得以滋養(yǎng)，自然靈動(dòng)從不限于某種形態(tài)，破舊立新是開展一次全新的生活旅程。

Light and shadow add a bit of beauty to the artistic conception and nourish people and space. Natural flexibility is never limited to a certain form. Breaking the old and building new is a new life journey.

光影天成，有光便有色，隱與現(xiàn)的藝術(shù)轉(zhuǎn)換間營造有與無，定格光影下的每一幀記憶，在家的載體中，人與萬物皆成一種平衡，是自然與時(shí)代精神的交融，在默聲的契合中共吟。

Light and shadow are formed by nature, and light is colored. The artistic transformation between hidden and present creates existence and absence. Each frame of memory under the light and shadow is frozen. In the carrier of home, people and everything are in a balance. It is the blend of nature and the spirit of the times, and it is sung in the harmony of silence.